Tuesday, January 31, 2012

Art as therapy


 The below drawing was inspired by this painting by 
 Early Renaissance Italian painter, Sassetta.





A little pug floats skyward as two people embrace.



This drawing honors the comfort we give and receive
from one another.



Friday, January 20, 2012

Something waits beneath it







"I prefer winter and fall, when you feel the bone structure in the landscape...the loneliness of it...Something waits beneath it, the whole story doesn't show"
                                                       American painter Andrew Wyeth 














and, beneath it all, we have had to say goodbye to our beloved Mimi,



she passed away a week ago today at 14 years old.



Rest in peace lovely girl. XO


Monday, January 16, 2012

The Offering



An old woman happily feeding her cats.  pen and ink drawing


detail from  'The Offering'

detail from  'The Offering'

Thursday, January 12, 2012

Quiet Beauty







                           In the Barn          pencil drawing

A woman, a moment, and sacred love.







Sunday, January 01, 2012

A tribute to winter white

                 With the absence of snow, my world is anything but white this year. I had hoped for wavy drifts of snow over the steps, piling up an inch or two over the front door. A pale expanse of shimmering lawn under moonlight would have been lovely. I would have settled for a dusting, a light powdering among the trees, outlining their branches. I do so love this!... Not to be. 
However.....I do know how to  make do. To enhance the wintery mood, here is an exerpt from nature writer John Burroughs essay- The Snow Walkers, which I have illustrated by using scenes of white found about the house.

Look up at the miracle of the falling snow,—the air a dizzy maze of whirling, eddying flakes, noiselessly transforming the world, the exquisite crystals dropping in ditch and gutter, and disguising in the same suit of spotless livery all objects upon which they fall. How novel and fine the first drifts! The old, dilapidated fence is suddenly set off with the most fantastic ruffles, scalloped and fluted after an unheard-of fashion! Looking down a long line of decrepit stone wall, in the trimming of which the wind had fairly run riot,




  I saw, as for the first time, what a severe yet master artist old Winter is. Ah, a severe artist! How stern the woods look, dark and cold and as rigid against the horizon as iron! Presently a fox barks away up next the mountain, and I imagine I can almost see him sitting there, in his furs, upon the illuminated surface, and looking down in my direction. 



As I listen, one answers him from behind the woods in the valley. What a wild winter sound, wild and weird up among the ghostly hills!
Since the wolf has ceased to howl upon these mountains, and the panther to scream, there is nothing to be compared with it. So wild! I get up in the middle of the night to hear it. It is refreshing to the ear, and one delights to know that such wild creatures are among us.
 At this season Nature makes the most of every throb of life that can withstand her severity. How heartily she indorses this fox! In what bold relief stand out the lives of all walkers of the snow! The snow is a great tell-tale, and blabs as effectually as it obliterates. I go into the woods, and know all that has happened. I cross the fields, and if only a mouse has visited his neighbor, the fact is chronicled.



In winter the stars seem to have rekindled their fires, the moon achieves a fuller triumph, and the heavens wear a look of a more exalted simplicity. Summer is more wooing and seductive, more versatile and human, appeals to the affections and the sentiments, and fosters inquiry and the art impulse. Winter is of a more heroic cast, and addresses the intellect. The severe studies and disciplines come easier in winter. One imposes larger tasks upon himself, and is less tolerant of his own weaknesses. 



All life and action upon the snow have an added emphasis and significance. Every expression is underscored. Summer has few finer pictures than this winter one of the farmer foddering his cattle from a stack upon the clean snow,—the movement, the sharply defined figures, the great green flakes of hay, the long file of patient cows, the advance just arriving and pressing eagerly for the choicest morsels,—and the bounty and providence it suggests. 

Or the chopper in the woods,—the prostrate tree, the white new chips scattered about, his easy triumph over the cold, his coat hanging to a limb, and the clear, sharp ring of his axe. The woods are rigid and tense, keyed up by the frost, and resound like a stringed instrument. 
Or the road-breakers, sallying forth with oxen and sleds in the still, white world, the day after the storm, to restore the lost track and demolish the beleaguering drifts.